Interview-Kimberly

SPOTLIGHT ON KIMBERLY: SULTRESS OF SLOW

BY STACY REYER

Those who have seen Kimberly Freed dance have experienced her ooey gooey goodness. Known for her oozy slowness, dramatic stage presence and sword prowess, Kimberly has a certain way of commanding a crowd. But it doesn’t stop there. She is also a fire performer and burlesque personality and brings plenty of heat to both. She expresses her tribal roots as a member of Loud Zoo and teaches multiple levels and styles. Here’s some info about Hip Expression’s sultress of slow.

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INTERVIEW WITH KIMBERLY FREED

When did you start dancing?

1998

Was there a definitive moment when you knew you wanted to dance?

From the moment I took my first class.

What turns you on so much about dance?

I love having the ability to express myself without having to say a word.

Do you consider yourself a bellydancer?

Trick question. My base is in belly dance, but I enjoy mixing it up with other dance styles.

How did you come to teach dance?

I started subbing for Johanna when she wasn’t available. I enjoyed teaching and no one ran screaming from the class, so I kept on until she asked me to start teaching on a regular basis.

Has there been anyone in your career that gave you a “big break”?

I think being a part of Hip Expressions has been one for me. The support, encouragement, and sometimes kick- in- the- butt I have received has pushed me to be the best possible dancer, teacher, and person I could be.

How would you describe your style?

My Loud Zoo Tribe girls would say painfully slow. I like being dramatic, intense, and oozy.

Does instinct play a part in your dance?

Definitely. I think I dance better or more true to myself when I don’t over think what I’m doing and just move the way I feel.

Do you believe rules are meant to be broken?

Of course! That’s the fun of having rules….being a rebel and breaking them.

What inspires you?

Everything

When is your favorite time to dance?

Anytime

Where do you choreograph?

I do a lot of planning in my head. I love old musicals, so my plans usually involve 10 or more dancers, revolving stages, and fruit. Sadly, I haven’t been able to incorporate the revolving stage or fruit into any of my choreographies.

Do you consider yourself a collaborative or solo artist?

Both. I love the dynamic of working with other people. The creative energy and crazy ideas that come out of a group can lead to brilliance. However, it can be just as rewarding to rely on my own ideas.

Do you have another job?

You mean some people only work one?

What would you be other than a dancer?

I don’t even want to imagine not dancing. However, when I’m not dancing I’m an Esthetician which is my favorite thing to be after a dancer.

Any influences or anyone you look up to when it comes to dance?

This is a tricky question. Kind of like giving an awards speech then realizing you forgot someone important. My first teacher “Nirvana” (Deirdre Hamlett), Jill Parker, Johanna Krynytzky, Mira Betz, and Patricia Passo. All of them have inspired me with their dedication, love of dance, knowledge of the art form and pure joy in sharing it with others.

What has been your greatest accomplishment as a dancer?

Teaching and being able to share my love of dance with others.

How do you keep yourself motivated?

Coffee.

Describe yourself in 5 words:

I hate this question.

What are you working on currently?

I am currently feeling inspired by a flamenco style skirt I bought at a Patricia Passo workshop. I’m looking for just the right song for it……and a top of course.